Review: Magnificence, Finborough Theatre
It’s not difficult to see why the Finborough has programmed a revival of Howard Brenton’s Magnificence. Written in 1973 during a time of financial crisis, IRA t...
Fergus Morgan
Review: Blue Heart, Orange Tree Theatre
It’s probably a good idea to have a coffee or three before seeing David Mercatali’s revival of Blue Heart, Caryl Churchill’s 1997 double-bill of tongue-twisting...
Review: Lost in the Stars, Union Chapel Islington
Highbury Opera Theatre’s production of Lost In The Stars – Kurt Weill’s last musical-cum-opera – in Islington’s Union Chapel is actually the work’s London premi...
Review: Skin a Cat, The Bunker
Skin A Cat should be compulsory viewing for anyone under 25. Scratch that, it should be compulsory viewing for everyone. A hysterically funny, warm-hearted, aut...
Review: The Reluctant Fundamentalist, Finborough Theatre
First a novel, then a film, now a play, Mohsin Hamid’s The Reluctant Fundamentalist’s prolonged shelf life is proof that it is a story for our times. This first...
Review: They Drink it in the Congo, Almeida Theatre
What do you know about the Democratic Republic of the Congo? That it is the seventh poorest country in the world, when its vast mineral reserves should make it ...
Fergus Morgan
Fergus is a recent graduate, splitting his nomadic life between a part-time football administration job in Oxford, his family home in sunny Suffolk, and the fringe theatres of London. Since finishing uni, he has devoted as much time as he possibly can to writing about the theatre, to the detriment of both social life and bank balance.