3.0
Review: Lemons Lemons Lemons Lemons Lemons, Barons Court Theatre
Lemons Lemons Lemons Lemons Lemons is a dystopian drama written by Sam Steiner. The punchy, tightly-packed script presents a world in which the British governm...
Farah Najib
3.0
Who Should Really Be Seeing Political Theatre?
Theatre with strong political messages continue to dominate and we continue to be inspired and agree with said messages. But shouldn't those who don't 'get it'...
4.0
Review: The Half God of Rainfall, Kiln Theatre
“What exact regime teaches a man to take what isn’t given?” This is the unexpected question posed by Inua Ellams, writer of critically acclaimed hit The Bar...
4.0
Review: Collisions, The Pit at the Barbican
Waiting to enter the Barbican’s underground Pit space, I really have no idea what to expect. I’m aware that this isn’t going to be a regular evening at the the...
3.0
Review: ORAL, Camden People’s Theatre
Trigger warning: childhood sexual abuse (CSA) Viv Gordon’s Oral is part of The Sick of the Fringe festival 2019. The fest connects work engaging with arts a...
5.0
Review: Mouthpiece, Soho Theatre
It’s a question that playwrights and theatre-makers everywhere are constantly considering (and if not, they should be): do I have the right to tell this story?...
Farah Najib
Farah is a graduate of playwriting and applied theatre at the Royal Central School of Speech & Drama. She lives for exciting new writing that says something about the world we’re in today, and if it’s made by women – even better.