Review: Light, Battersea Arts Centre
Our obsessive use of technology, the freedom of the internet and our persistence to control planet seems to send us down the path of an Orwellian future. A futu...
Camilla Gurtler
Review: Jesus Christ Superstar, The Open Air Theatre
Celebrating its forty-fifth anniversary, Jesus Christ Superstar protests once again, as Timothy Sheader adds modern spice to Andrew Lloyd Webber’s rock phenomen...
Review: A Beckettesque Play, Bread and Roses Theatre
It’s hard to define experimental theatre in a world where everything has been done before. Like an over-used Rubik’s cube where most combinations have been expl...
Review: Lost in Blue, Roundhouse
It's amazing how little we need to create vivid stories in our minds. That we can create worlds and people from pages in a book, from the sound of someone's voi...
Review: The Polar Bears Go Up, Unicorn Theatre
If you’re under five, this is your show. If you’ve by far reached your pre-prime, then you can rejoice at how simple life once was with The Polar Bears Go Up. F...
Review: Kings of War, Barbican
Sensible people would probably say that 4.5 hours of Dutch Shakespeare is too much sand to swallow on a Friday night. Let alone a compilation of his history pla...
Camilla Gurtler
Camilla is a director and writer originally from Denmark, now living in London. She trained on the Young Directors' Programme with StoneCrabs Theatre Company and is currently doing her MA in Directing at Drama Centre.