Review: Nell Gwynn, Apollo Theatre
“But the theatre isn’t glamorous”, I’ve heard my friends say countless of times. “Film is so much more powerful, naturalistic and international.” Don’t get me w...
Camilla Gurtler
Review: Melancholy, The Vaults
It’s no news that arts funding often seems like a wishful hallucination for emerging artists. So in these often disheartening times for young creatives, it’s in...
Review: Battlefield, Young Vic
With blood and the realities of war almost at our doorstep, it seems right Peter Brook’s epic Mahabharata finds its way back to us 30 years after its original s...
Review: Tosca, Royal Opera House
When theatre and performance first came into their own right in Ancient Greece, their purpose was to provide catharsis to the audience – an emotional release id...
Review: Macbeth, Young Vic
It's probably not too bold to say that Shakespeare has been done every way possible by now. After all, he's had a few years to run on, he's out of copyright so ...
Review: Little Eyolf, Almeida Theatre
Being a proud Scandinavian I can safely say I don't always have a great relationship with Ibsen. Because I met him very early on in my school days, he's always ...
Camilla Gurtler
Camilla is a director and writer originally from Denmark, now living in London. She trained on the Young Directors' Programme with StoneCrabs Theatre Company and is currently doing her MA in Directing at Drama Centre.