Review: Out of Blixen, The Print Room
After a heatwave of Nordic Noir over the past few years, it makes my Danish heart flutter that the Print Room has decided to celebrate Karen Blixen, one of our ...
Camilla Gurtler
Review: La Ronde, The Bunker Theatre
Just moments after stepping out of Bunker Theatre, it was obvious this venue will keep drawing me back. Underground, raw and quirky, tailoring its space to each...
Review: Cautionary Tales for Daughters, Jermyn Street Theatre
If you had a daughter growing up in today’s steamy political climate what is the advice you’d give her? Would you tell her that the blame is always on her and h...
Review: Anastasia, Royal Opera House
The story of Anastasia and her presumed flight from the slaughtering of the Tsar family is a modern fairy-tale that has stayed with me since childhood. I grew u...
Review: A Conversation with Dystonia, Sadler’s Wells
"A diagnosis is a release, but it is also a separation." In a physical dialogue with her disability, Suzie Birchwood expresses her struggle with dystonia as she...
Review: Oil, Almeida Theatre
We live in the hope that the future will be better than the reality we have today. That there will be better opportunities, more advanced technologies, more fre...
Camilla Gurtler
Camilla is a director and writer originally from Denmark, now living in London. She trained on the Young Directors' Programme with StoneCrabs Theatre Company and is currently doing her MA in Directing at Drama Centre.