Review: Medea, Riverside Studios
The ancient story of the wildest and most passionate woman in theatre is a hard one to produce – how does an actress justify Medea’s revenge on Jason by killi...
Camilla Gurtler
Review: Visitors, Arcola Theatre
It’s rare finding a simple piece of new writing that doesn’t rely on bombarding effects and clever use of space and props to compete with the money and bling pu...
Review: Peter Pan – The Never Ending Story, Wembley Arena
“All children, except one, grow up.” The story of Peter Pan has become a childhood treasure: an adventure we embark on as children, then pass on to our own...
Review: Satyagraha, English National Opera
This autumn, the English National Opera (ENO) revives its hugely successful Satyagraha, a contemporary opera by Philip Glass which broke box office records ba...
Review: The Great Escape – A Borrower’s Tale, Battersea Arts Centre
Children’s theatre is blooming at the moment. With Lyn Gardner’s brilliant piece for the Guardian on why children’s theatre matters and panto season upon us, ...
Review: Le Bourgeois Gentilhomme, The Cockpit Theatre
London really is a city full of multicultural events and artistic possibilities, and if you are even remotely interested in the arts there will most definitely ...
Camilla Gurtler
Camilla is a director and writer originally from Denmark, now living in London. She trained on the Young Directors' Programme with StoneCrabs Theatre Company and is currently doing her MA in Directing at Drama Centre.