Review: Alice in Wonderland, The Cockpit Theatre
Last summer Iris Theatre conquered Covent Garden as their smash hit production of Alice in Wonderland enchanted and entertained audiences in the hidden grounds ...
Camilla Gurtler
Review: The Malcontent, Sam Wanamaker Playhouse
In September 2013 the Globe held auditions for their Globe Young Players, a new initiative aimed at giving new young talent a once in a lifetime opportunity...
Review: Minotaur, Polka Theatre
All children want their parents to be there for them, to care for them and protect them. But when a parent is deployed and leaves for military service, the ba...
Review: King Charles III, Almeida Theatre
With Elizabeth II’s reign coming to an end in the foreseeable future, tension over the future of the throne raises questions – not only of how Charles will su...
Review: The Prince of the Pagodas, London Coliseum
What is incredible about dance productions is the realisation that words are not always necessary and that so much is expressed through our body language. A t...
Review: Riverrun, National Theatre, NT Shed
Inspired by Finnegans Wake, the book by Irish writer James Joyce that is more like a stream-of-consciousness linguistic experiment than prose, Riverrun explor...
Camilla Gurtler
Camilla is a director and writer originally from Denmark, now living in London. She trained on the Young Directors' Programme with StoneCrabs Theatre Company and is currently doing her MA in Directing at Drama Centre.