Review: The Trojan Women, Theatro Technis
Classical theatre is a tough cookie. Usually, there are two scenarios. Either it’s done brilliantly well, and it evokes the same vibrant energy that the audienc...
Anna Zanetti
Review: La Bohème, Royal Opera House
“Mi piaccion quelle cose
che han sì dolce malìa,
che parlano d'amor, di primavere, di sogni e di chimere,
quelle cose che han nome poesia.” “I love all ...
Review: Lohengrin, Royal Opera House
When I told my friends that I was going to be exposed to almost 5 hours of Wagner on Thursday evening, they looked at me as if I was completely mad. This is wit...
Review: Brocade, Sadler’s Wells
A corridor. Four dancers and a violinist enter it, inhabit it, and then leave. Over and over again. Brocade by Roberta Jean happens in a very definite time and ...
Review: A Change is Gonna Come, Barbican
It’s always exciting when different artistic forms interact to create something new – when poetry lends itself to movement, and spoken word inspires dancing. Or...
Review: The Significant Other Festival, The Vaults
This year, The Significant Other Festival is a perfectly oiled mechanism, which delights for its setting and scattered moments of good humour. Bearing in mind t...
Anna Zanetti
Anna graduated from the University of Oxford with a BA (Hons) in Classics in 2016, specialising in Literature, Aesthetics and Ancient Art. Currently based in London, she has eclectic interests, including avant-garde art, cycling, reading, contemporary dance, opera, (watching) rugby, and anything to do with Latin. She tweets (@Annina_) and blogs (https://lifeandmasterpiece.wordpress.com) regularly.