5.0
Review: Blood Wedding, Young Vic
‘Marina is a lightning conductor for pulling the visceral charge of language right through words and back into the earth where that force belongs.’ This is how...
Yael Farber
5.0
Review: Knives in Hens, Donmar Warehouse
Knives in Hens and I are almost exactly the same age, right down to the month. David Harroway’s play was first performed in Edinburgh in 1995 – so I can’t prete...
Review: Salomé, National Theatre
Plenty of pretty sand swirls around the stage of the National Theatre in director-writer Yaël Farber’s new play Salomé. But that’s not enough to conceal the bar...
Review: Les Blancs, National Theatre
Go and see this production. Go and witness the very essence of drama in practice. Change is occurring now and right now in Lorraine Hansberry’s twentieth cen...
Review: Nirbhaya, Southbank Centre
“Some things are inherited without question. Like silence – it’s a code.” So says one of the extraordinary female performers in Nirbhaya. This play centres on t...
Review: The Crucible, Screening Nationwide
One of the beauties of theatre is its fleeting nature. Its sense of the ephemeral heightens the sense of wonder that a performance can portray, but can also be ...