4.0
Review: The Visit, National Theatre
Friedrich Dürrenmatt’s tragicomedy retains the dark humour which warrants it part of that genre in Tony Kushner’s adaptation. In New York, the town of Slurry i...
Vicki Mortimer
4.0
5.0
Review: ANNA, Dorfman Theatre
Wires snake around hips and scatter across the shoulders, feeding into a set of headphones. Once fitted about one’s ears, the audience are free to stare at the...
Review: Follies, National Theatre
For the first time, Stephen Sondheim’s legendary musical Follies is being staged at the National Theatre. Created by Sondheim and bookwriter James Goldman, Foll...
Review: Oil, Almeida Theatre
We live in the hope that the future will be better than the reality we have today. That there will be better opportunities, more advanced technologies, more fre...
Review: The Threepenny Opera, National Theatre
Bertolt Brecht: hated by students who don’t understand him, loved by the rest of us who still don’t really understand him. The Threepenny Opera is perhaps his m...
Review: Lucia di Lammermoor, Royal Opera House
So, Katie Mitchell’s new production of Lucia di Lammermoor is already causing a bit of a stir. It’s not going as far as the general outcry towards her recent ve...