Review: Sochi 2014, The Hope Theatre
(c) Nivine Keating Sochi 2014 is theatre-as-activism done to a very high standard. Tess Berry-Hart's verbatim play takes interviews she conducted with Russi...
verbatim
Feature: Speaking out – Sochi 2014
"This is no time for complacency," says Tess Berry-Hart, "or appeasement, or political apathy." We're in a North London cafe with the writer's husband and frequ...
Blog: No Strings Attached – learning from mistakes
In the first of a new blog series, Lauren Prentice tells us about being awarded a No Strings Attached grant by Farnham Maltings Farnham Maltings Two year...
Review: London Stories: 1-on-1-on-1 Festival
There's something decidedly downbeat about the vision of London that stains the flyer for Battersea Arts Centre's 1-on-1-on-1 Festival, a form of sanitised sp...
Edinburgh Fringe Review: Snap out of It!
It's always a difficult moment when the "customer under a train" announcement is made on the Underground. There's a discomfort that arises not merely from the e...
Review: HOME
How do you give unrepresented young people a voice? Well, first of all you listen to them. In this sharp and informed piece of verbatim theatre, director Nadi...