Review: Undercover Refugee, theSpace on the Mile
Karen Houge’s Undercover Refugee is a telling of her journey through Europe following a group of Syrian Refugees. Her intention is clear; to cast a new and huma...
theSpace on the Mile
Review: Evocation, theSpace on the Mile
A design led, channel crossing Punch-and-Judy Belgian poetry reading with projection. If this sounds complicated, that’s because it is. Evocation is a beautiful...
Edinburgh Fringe Review: Broken Biscuits, theSpace on the Mile
Trisha Duffy makes her writing debut with Broken Biscuits. The story tells of Rita (Leanne Martin) and Maggie (Jane Hogarth), both with sons in the armed fo...
Edinburgh Fringe Review: The Beanfield, theSpace on the Mile
In June 1985, a large group of New Age travellers were stopped by the police on their way to set up the annual Stonehenge Free Festival. The resulting violence ...
Edinburgh Fringe Review: Fourplay
(2/5)
The opening of Jane Bodie’s Fourplay is dangerously close to Tom Stoppard’s The Real Thing (I’m not a fan). It has all the exclusive introspection of th...
Edinburgh Fringe Review: Life Setence
(3/5 Stars) What would be a hilarious illness for a hypochondriac to catch? Immortality, of course. This is the basis of Life Sentence, a witty performance ...