Theatremaker on a Budget: A Company’s First Steps
In her last article dishing out advice to fellow young theatremakers, Holly Bond tells us what really helped in setting up her company, Wonderbox and especiall...
The Young Vic
Review: Pericles, National Theatre
The National Theatre delivers perfection and an antidote to the Brexit blues in its stunning adaptation of Pericles: a defiant celebration of inclusivity, diver...
Review: The Mountaintop, Young Vic
By my count, upon publication of this review you will have about two weeks left to see The Mountaintop. So stop reading, log onto The Young Vic’s website and ge...
Review: Blue/Orange, Young Vic
Whoever commissioned Blue/Orange’s revival at The Young Vic is an evil genius. Has there ever been a more appropriate piece of theatre to represent today’s poli...
Review: Battlefield, Young Vic
With blood and the realities of war almost at our doorstep, it seems right Peter Brook’s epic Mahabharata finds its way back to us 30 years after its original s...
Feature: Nina Segal – How do you explain a shooting to a child?
“I make work about the things that keep us awake at night” says Nina Segal on a busy New York morning. The beauty of Skype made the five hour gap unnoticeable. ...