3.0
Review: Lovers Anonymous, The Space
Lovers Anonymous is not your everyday support group. It is, however, the support group that many of us might benefit from in the tech-driven and disconnected d...
The Space
3.0
Theatremaker on a Budget: A Company’s First Steps
In her last article dishing out advice to fellow young theatremakers, Holly Bond tells us what really helped in setting up her company, Wonderbox and especiall...
4.0
Review: Brawn, The Space
It’s hard to do a ‘good’ show about masculinity. It’s very hard. All around us, masculinity and its impact on those surrounding it are experiencing a shift, bo...
The future of theatre? Matthew Robins on creating a music video for Bush Theatre’s Drip
Erin Cobby talks to composer, Matthew Robins about his collaboration with Boundless Theatre and Script Club on a stop motion music video for Hull based show, Dr...
Theatremaker on a Budget: Cut that spending!
The last good bit of news I had was that my mum’s friend from work has a life size Idris Elba cut out. After scrolling forever through Amazon trying to find the...
Review: Frankenstein, The Space
Frankenstein’s monster is recreated through a feminist perspective of Mary Shelley’s classic novel Frankenstein to celebrate its two-hundredth anniversary. The ...