Review: The Suicide, National Theatre
On paper The Suicide should be flawless. Attacking the bloodthirsty social media followers and their see-through empathy, the National would have hit it with th...
The National
Review: X, The Royal Court
Legend has it that an X marks a spot of valuable treasure, whereas in this new offering from the Royal Court, X becomes an emblem of multiple unknown dangers th...
Feature: Nothing incidental or curious about Gielgud’s renewal
Image by Brinkhoff Moegenburg There’s nothing particularly curious as to why The National’s The Curious Incident of the Dog in the Night-Time has recently an...
Review: King Lear, National Theatre
Following his box office success with the Bond film Skyfall and his recent stage adaptation of Charlie and the Chocolate Factory, Sam Mendes really is the dir...
Exit Stage Left: Inspiration from the greats
It’s a brand new year. Months of challenges, opportunities and possibilities lie ahead, but for those of us inbetween acting jobs, in these cold winter weeks ...