Review: Natalia Osipova Triple Bill, Sadler’s Wells
Natalia Osipova has followed the lead of French prima-ballerina Sylvie Guillem by throwing herself into the world of contemporary dance in her first self-commis...
Russell Maliphant
Review: No Body, Sadler’s Wells
Sadler’s Wells Theatre, the cutting-edge contemporary dance venue whose history is intertwined with that of modern dance, is staging its major spring season pro...
Review: Lest We Forget, Sadler’s Wells
Lest We Forget by the English National Ballet performed at Sadler's Wells is a beautiful piece of art. With two intervals this classic ballet is heavily influen...
Review: Life in Progress, London Coliseum
In her last world tour as a dancer, Sylvie Guillem celebrates the end of 39 years of dancing in Life in Progress, a performance that concludes her professional ...
Review: Serpent / Young Men / Fallen, Roundhouse
It was a night of new experiences for me. Having never been to Camden’s Roundhouse or seen any work by the BalletBoyz before, I was expecting something as contr...
Review: Push, London Coliseum
In four bite-size chunks, Push showcases four dance pieces by renowned choreographer and dancer Russell Maliphant. Two of the pieces – which are chronologically...