Review: Martyr, Unicorn Theatre
As getting arts funding seems to be as easy as getting the famous fat camel through the eye of a needle, the question ‘why theatre matters?’ is being thrown out...
Ramin Gray
Edinburgh Review: Blind Hamlet, Assembly Roxy
Nassim Soleimanpour, or at least the voice coming from the dictaphone claiming to be him, is going blind. He seems calm about it. His play is an attempt to make...
Review: The Events, Southbank Centre
David Greig’s The Events garnered plenty of attention and acclaim when it premièred in Edinburgh in 2013, winning a Scotsman Fringe First Award. Exploring the a...
Edinburgh Fringe Review: The Events
(4/5)
Let’s get this straight: David Greig’s The Events is not ‘about’ the Norwegian massacre committed by Anders Breivik. It uses the event as a source of ...
Blog: Creating theatre in the North West
The belief that theatre is mostly London-centric is not new. If the topic is a garden covered in snow, it most definitely has been trampled into slush. But it d...
Review: Over There, Digital Theatre
Mark Ravenhill’s Over There ran recently at the Royal Court throughout March, directed by Ravenhill himself and Ramin Gray as part of the ‘Off The Wal...