5.0
Review: One Night in Miami, Bristol Old Vic
'We’re not weapons, we’re men’. The balance between the necessity to voice the race struggle during the fraught 1960s American culture, and the awareness that ...
Matthew Xia
5.0
4.0
Review: Blood Knot, Orange Tree Theatre
We are in apartheid Port Elizabeth, South Africa, 1961. The world outside is divided by race. We sit with the light-skinned Nathan McMullen’s Morris, waiting f...
Review: Shebeen, Royal Stratford East
Shebeen is a compelling story that voices the political climate of the 1950s; this story must be seen, heard and comprehended. The representation of the rea...
Feature: Widening the Lens of Whose Looking Glass?
It is no secret that theatre has a diversity problem and, that is a stew that only thickens when we look at the state of theatre criticism. At the end of 2016, ...
Review: nitroBEAT Pit Party – Suckerpunch Boom Suite, The Barbican
A revolutionary icon in New York street art, American artist Jean-Michel Basquiat grew into a startling young powerhouse in the world of enigmatic neo-expressio...
Blog Post: What happens when theatre becomes a home for local artists?
When I arrived at the Exchange in 2014, Sarah Frankcom had recently taken over as sole Artistic Director and the company was in the process of being redefined t...