As much as Manon was a leitmotif last year at the Royal Opera House – with a ballet and two operas on the ill-fated beauty – this year it is Eugene Onegin that ...
To adapt a quote from a London Symphony Orchestra tube poster I saw the other day: “The greatest in the world, in my own city". This sums up for me one of t...
One fundamental way in which ballet differs from other theatre is that, for a given ballet, there might exist many different versions of the choreography. Thi...