Review: LOVE, National Theatre
Alexander Zeldin’s world premiere of Love is by no means a stereotypical interpretation of the emotion. Natasha Jenkins presents a semi-immersive set, a run-dow...
Luke Clarke
Edinburgh Fringe Review: Liberation, Zoo Southside
A woman lies naked on a vast stage. She flexes and writhes, muscles stressed under the light. The woman staggers to her feet, an elk calf dazed and astonish...
Edinburgh Fringe Review: Sealand
What happens when dissatisfaction crashes upon a nation? Where do you turn when a crumbling economy, the demise of family values and the ever-growing wealth of ...