Review: No’s Knife, Old Vic
In a way you know what you get with Beckett. The sparse, unsentimental text; the ghostly, post-apocalyptic staging. But a new performance or, even more exciting...
Lisa Dwan
Feature: Irish Stay True to Beckett at the Barbican
Photo: Hazel Coonagh. On a brisk autumn night two years ago, I found in the corner of a Dublin city centre car park a lost statue of the Virgin Mary and a to...