3.0
Review: The Watsons, Menier Chocolate Factory
From beginning to end, The Watsons pays homage to Jane Austen. Laura Wade’s experimentally metatheatrical play engages Austen’s wit, showcases the wonderful vi...
Laura Wade
3.0
Review: Posh, Pleasance Theatre
Notorious for its depiction of ‘The Riot Club’, a fictional, all-male society loosely-based on Oxford University’s infamous Bullingdon Club, Laura Wade’s Posh r...
Review: Tipping The Velvet, Lyric Hammersmith
Many times in my life I have heard the phrase: "the arts have power to transform lives". When Nancy (Sally Messham) first goes to the Palace Theatre where she c...
Edinburgh Review: Dirty Decadence, C nova
The boys are in black tie, the girls in diaphanous dresses. They chuck back whisky with alcoholic aplomb as they dance their way through a balletic take on the ...
Guest blog: Being a Stage Manager and Lighting Technician
(c) Richard Hubert Smith/LAMDA 2012 LAMDA graduate James Lye reveals what life is like the other side of backstage training, now working as a freelance Stag...
Book review: Passionate Amateurs: Theatre, Communism and Love
The subtitle of Nicholas Ridout’s Passionate Amateurs: Theatre, Communism and Love, and its central argument – “that theater in modern capitalism can help u...