Review: Much Ado About Nothing, Watford Palace Theatre
Upon entering the Watford Palace Theatre (after a surprising quick journey from Euston) I am utterly charmed by the sand bags, air raid warnings and women in vi...
Julia Watson
Review: After The Ball, The Gatehouse
After The Ball, written by Ian Grant, sees William Randall (Stuart Fox) grow from an idealistic young man to a frail whisper of who he used to be, and the relat...
Review: A Lovely Sunday for Creve Coeur, The Print Room at the Coronet
A Lovely Sunday for Creve Coeur is one of Tennessee Williams’ lesser-known, yet brilliant, plays. Set in 1930s St Louis, the play follows the wispy and love swe...
Review: The Man Who Pays the Piper
The Man Who Pays the Piper is staged in-the-round, making for an intimate and thought-provoking production of GB Stern’s popular 1931 play. The stellar cast b...