Dancing between hard and soft; audience and performer; noise and words; lovers and strangers; consenting and preventing; Fernanda Muñoz-Newsome’s multi-sensory...
Like many people of younger generations, I first became aware of Arthur Miller’s 1953 play, The Crucible, when I studied it for GCSE drama. Getting a group of ...
“Make this a transformation story,” a social media expert demands of a young fitness star at the Yard Theatre this summer. “Success stories are aspirational,” h...
Very rarely does a play give me an increasingly uncomfortable feeling, a growing unrest. Most productions give some signals that allow me to predict their traje...