3.0
Review: What the Dolls Saw, VAULT Festival
At home in the dank dungeon of the VAULT Festival, What the Dolls Saw promises the proverbial moon: a true-crime style conundrum “that unravels like a mystery ...
Fringe
3.0
5.0
Review: Sound Cistem, VAULT Festival
As part of VAULT Festival, Plaster Cast Theatre have come all the way from Manchester to perform at London's fringe festival. Transgender and non-binary perfor...
The Bunker Theatre’s closure: its ideals will live on through us
The Bunker Theatre's General Manager, Lee A. Whitelock writes an honest and equally heartbreaking and optimistic piece on what its closure means to him, the te...
Is Theatre Still a Tool for Revolutionary Thought?
With mediums such as television having audiences of millions and sparking instant mass debate, Erin Cobby questions whether theatre is still a tool for revoluti...
Cheap Tickets to Bismillah! (An Isis Tragicomedy)
A STORY OF DISENFRANCHISEMENT, SOCIAL ALIENATION, PREJUDICE, RADICALISATION AND THE ROCK BAND QUEEN.
Dean joined the Army, 'Danny' joined the Islamic State. On...
AYT Recommends: Curious Directive: Frogman
The Great Barrier Reef, Australia, 1995.
Meera is 11. It’s her first sleepover. Strawberry Dunkaroos, SEGA Mega Drive and coral fragment analysis descends into...