Review: Exit the King, National Theatre
“An attempt at an apprenticeship in dying” That is Eugène Ionesco’s ambition when he writes his most classical play Exit The King in 1962. Being part of the ...
Eugene Ionesco
Review: Ionesco/Dinner at The Smiths’, Latvian House
Created by Marianne Badrichani and The Company, Ionesco/ Dinner at The Smiths’ is a pop-up, immersive and bilingual theatrical experience inspired by the comic ...
Review: The Chairs, Stratford Circus
A dishevelled set; a plethora of chairs; an assortment of knick-knacks – Andrea Carr’s set certainly creates a dystopian impression. In this underwater submarin...
Review: The Shepherd’s Chameleon
The irony of reviewing The Shepherd’s Chameleon, a play written by Eugène Ionesco as a barbed response to his critics, is inescapable. The play is itself an exp...
Review: The Chairs
At the end, will we know life’s secrets? Will all of our endeavours have been futile? Who, in fact, are we? Delving into the exploration of human existence thro...