Edinburgh Fringe Review: Goodbear, Bedlam
This show could easily be called ‘Joe Barnes and his eyebrows’ but perhaps, that was just my favourite bit. Barnes, and his partner Henry Perryment, have once a...
edinburgh fringe 2016
Edinburgh Fringe Review: Entrails, theSpace @ Venue 45
Joseph Heller’s 1961 novel Catch 22 has influenced myriad visual material for many artists, creating a platform to explore images of trauma and pain within the ...
Edinburgh Fringe Review: Blank, Summerhall
“This is a life story, and life knows no rehearsals.” In the beautiful setting of the Anatomy Lecture Theatre in Summerhall, we are seated while actor, Josep...
Edinburgh Fringe Review: All of Me, Greenside
"When it’s working, you won’t even pay attention to the time; there is no time, there is just that win." All of me is a fascinating exploration of travel age...
Edinburgh Fringe Review: Lemons Lemons Lemons Lemons Lemons, Roundabout @ Summerhall
The government imposes a new law: Brits can only speak 140 words per day. Oliver (Euan Kitson) and Bernadette (Beth Holmes) meet before the law is passed – at a...
Edinburgh Fringe Review: Electric Eden, Pleasance Pop-Up: The Club
The term immersive is often found on marketing for shows that don’t warrant the description. It is so loosely applied nowadays, that it is a joy to be able to g...