4.0
Review: Carousel, Regent’s Park Open Air Theatre
Listen to the audio version here. Once
again, Carousel has returned to London, but this time in the open air of
Regent’s Park. Despite the unforgiving Bligh...
Carousel
4.0
Review: I Capuleti E I Montecchi, Pop-Up Opera
When working in a conventional art form such as opera, with its roots stubbornly planted in the past, it can be difficult to imagine it shining a new light on t...
Review: Carousel, Arcola Theatre
It is a bold and brave move from the off-West End company Morphic Graffiti to stage such a huge show in such an intimate setting –a move that is incredibly exci...
Feature: Curve Theatre’s fifth birthday – Leicester’s artistic heart
Leicester's Curve theatre is celebrating its fifth birthday. As one of the UK's leading producing theatres, Curve has hosted a wide range of productions and...
The Wicked Stage: Can musicals be used as tools for social change?
Last year I wrote a response to fellow writer Elinor Walpole’s article on the relevancy of musical theatre in today’s society. I argued that musicals didn’t n...
The Wicked Stage: Book musicals vs. concept musicals – are they both under threat?
If you study musical theatre in any sort of depth you will come to realise that nearly every show falls into one of two categories: either a book musical or a...