Review: Camden Fringe, Gone, The Lion and Unicorn
In Original Impact’s production of Megan Jenkins’ Gone, different narratives from different times in history appear to centre around one park and its habit of m...
Bluebeard
Blog: How to Kill your Husband: Smashing the patriarchy in four-part harmony
Forget Glee. Harmony singing is dangerous. It can kill. We know about its power, and its versatility. And now we are going deep into the forbidden room of Blueb...
Review: Bluebeard, Soho Theatre
There’s something of a fad at the Soho Theatre Upstairs for producing bitesize plays: hour long shows, usually monologues or duologues, which provide a concentr...
Edinburgh Fringe Review: Bluebeard
(3/5 Stars) Trinity Fringe Productions has attempted perhaps one of the most ambitious original plays of the Fringe festival with Bluebeard. It proposes far...
Review Edinburgh Fringe: Bluebeard
The tale of Bluebeard is a commonly told fairytale, featuring a husband who kills off his wives, and the struggle that the final wife endures when she disco...