I’m trying to dispel the myth that sign language is ‘other’
Jenny Sealey, Artistic Director of Graeae, a theatre company that boldly places D/deaf and disabled actors centre stage, writes about directing a new productio...
Blasted
Review: Hotel, The Temporary Theatre – National Theatre
At just 19-years-old Polly Stenham penned the award-winning gritty family drama That Face, which resulted in her being the toast of the Royal Court. Now, eight ...
Spotlight On: Philip Ridley
As The Pitchfork Disney opens at the Arcola Theatre, Philip Ridley shares his thoughts on the pressure of revivals and his commitment to evocative storytelling.
Saved at the Lyric Hammersmith: a revival revelation?
Jessica Wilson examines the Lyric Hammersmith's current revival of Edward Bond's controversial play Saved, which comes in light of the summer's London riots.
Review: Blasted
Having read Sarah Kane's Blasted when I was a teenager and finding myself gripped by the literal explosion of dialogue and action you could considering it a c...