3.0
Review: Crongton Knights, York Theatre Royal
Crongton Knights transforms the inner city into a vibrant fairy tale, full of knights, steeds and quests to save a damsel in distress, but with any fairy tale ...
Beats
3.0
Feature: Spotlight on Tidy Carnage – “Do we count as the exotic?”
Considering the snobbery with which many people and media outlets in England discuss the concept of Scottish independence, it’s unsurprising that many of ou...
Review: Chalk Farm, Bush Theatre
Scum! Pigs! Chavs! All terms that were hurled around to describe the looting that took place during the 2011 London riots. But how would you react if you disc...
Feature: Kieran Hurley – “we are trying to push at the limits of what we can do in a theatre”
About halfway through our conversation, Kieran Hurley tells me a brilliant and quietly moving anecdote about The Bloody Great Border Ballad, a show which Northe...
Mayfest review: Beats
When Beats ends, it would be easy to describe this monologue as a one-man show. However, this description would be entirely false. The story within the play wou...
Review: Beats
You can feel the bass rumbling beneath your feet, passing up your legs and reverberating in your chest. The lights are glaring, dazzling, mesmerically addictive...