Wailing, kicking, crying, drooling. Is this sexy? Is this really what you want?
We wrote about her 'ruthless performance' in Edinburgh and now we hear from Katy Dye herself on society's persistent fetishised infantilisation of women in Bab...
Baby Face
Audience and performer: Where’s our safe space?
Joseph Winer deliberates on safe spaces for audiences and whether performers are pushing participation too far. In the Globe’s 2016 production of The Taming ...
Review: Edinburgh Fringe Festival, Baby Face, Summerhall
★★★★★ Performed by Katy Dye, Baby Face probably genres as a sort of in-yer-face performance art where the spectators are blamed, used, and made to feel incre...