2.0
Review: Talent, Crucible Theatre
Listen to the audio version here. Victoria Wood’s Talent follows ambitious 24-year-old Julie (Lucie Shorthouse) chasing her dreams of stardom and escaping h...
Avenue Q
2.0
Review: Hand to God, Vaudeville Theatre
This is not your typical comedy. Not only because a puppet is the main character – which is hardly a new thing after Avenue Q or even War Horse – but because of...
Review: Avenue Q, Greenwich Theatre
Avenue Q tells the story of a young man named Princeton, fresh-faced and naïve to the real world, and his journey through the trials and tribulations of love, l...
Review: Avenue Q, Greenwich Theatre
Avenue Q enjoyed massive success on Broadway and in the West End after its début in 2002, and has been revived at the Greenwich Theatre after leaving the Wy...
Feature: Stage One – Funding the future producers
Last month, Stage One, a charity funding body that supports the work of emerging theatre producers, announced the latest recipients of its £50,000 and £25,000 S...
In the pit: The importance of the keyboard set up
In a typical orchestra pit of a West End or professional touring show now, it's usual to have three, sometimes four, keyboards, however it is rarely the case ...