3.0
Review: Leopardess, VAULT Festival
We are gathered here to mourn Sarah M Anson after her “untimely demise” surrounded by her nearest and dearest. This untimely demise of Sarah M Anson is however...
Audience Participation
3.0
Audience and performer: Where’s our safe space?
Joseph Winer deliberates on safe spaces for audiences and whether performers are pushing participation too far. In the Globe’s 2016 production of The Taming ...
Marmite and mischief: Belt Up’s The Boy James
With Belt Up Theatre's The Boy James opening in the new year, Douglas Williams finds out why you'll love or hate the show from Producer Jethro Compton.
Review: The Author
When does the spectator become the spectated?
Tim Crouch's new play at the Royal Court Theatre is possibly more about the spectator than that of the pl...