Review: Cart Macabre
I've never understood the term 'immersive theatre', I've always considered it to be some kind of promotional buzzword that companies use to lure their audienc...
Off West End
Review: The Wind in the Willows
Playtime begins the second you enter the poky foyer of Theatre 503’ intimate venue. Before the audience have had the chance to take their seats, we are introd...
Review: Dick Whittington and his Cat
Hurrah! It’s Panto season again; time for everyone to stop pretending that theatre is a serious art genre, and get stuck into some good old fashioned “He’s B...
Review: Krapp, 39
I first encountered Samuel Beckett's Krapp's Last Tape in a compulsory English class when I was fifteen, and it would be fair to say that, thanks to Mr Becket...
Review: The Mill
Everybody loves the circus. I for one retain the memory of the first time, at aged seven, that I was introduced to this most colourful and chaotic of art for...
Review: Grand Guignol
London based company Theatre of the Damned present Grand Guignol a set of three grisly plays, based on the translated scripts of 1920’s French playwright, And...