Edinburgh Festival

3.0

Review: For now we see through a mirror, darkly, Greenside Nicholson Square, Edinburgh Fringe

Josephine Balfour-OattsSeptember 1, 2019

For now we see through a mirror, darkly is certainly unique. Inspired by texts from Alchemy and Mysticism by Alexander Roob, its concept is fantastical (and ve...

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4.0

Review: Sex Education, Summerhall, Edinburgh Fringe

Joseph WinerAugust 31, 2019

Growing up in a household in Blackpool with a god-fearing mother and a father who gave him his first porn DVDs aged fourteen, Harry Clayton-Wright didn’t exact...

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4.0

Review: The Sensemaker, ZOO Playground, Edinburgh Fringe

Josephine Balfour-OattsAugust 27, 2019

At a time when the UK is experimenting with mass facial recognition technologies in the name of counter-terrorism, The Sensemaker is a poignant theatrical even...

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4.0

Review: Metamorphosis, Sweet Grassmarket, Edinburgh Fringe

Max ThomasAugust 24, 2019

Assiduously constructed and impressively acted, Different Theatre’s female-oriented Metamorphosis rings with a new voice and in certain moments resounds with a...

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4.0

Review: To Move in Time, Summerhall, Edinburgh Fringe

Josephine Balfour-OattsAugust 23, 2019

Tyrone Huggins’ voice is like honey. His sentences ooze, thick and syrupy, lulling his audience into a stunned sort of stupor. Written by Tim Etchells, To Move...

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3.0

Review: A Womb of One’s Own, Pleasance Dome, Edinburgh Fringe

Josephine Balfour-OattsAugust 23, 2019

If A Womb of One’s Own underwent a paternity test, the results would be conclusive: it is most definitely a distant relative of the Fleabag family. Raised by h...

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