4.0
Review: Two Metres Apart, Greengage Ventures
Two Metres Apart is Greengage’s contribution to the world of virtual performances. It is one of many to come and it does not disappoint. As part of a charity e...
Digital Theatre
4.0
4.0
Review: The Tempest, Creation Theatre
Having “plans” recently has largely consisted of going to Tesco and walking the dog; these are the kinds of things that exhilarate us now. Therefore, having pl...
3.0
Review: Twelfth Night, RSC (via MarqueeTV)
Our play is set in 1890s England amongst the rural countryside full of beautiful statues, glasshouses and fountains. In this 2017 RSC production Viola...
Review: Elephant and Castle, Camden People’s Theatre
For those of us who have been nurturing a 1927 shaped hole in our hearts since Golem left theatres in 2015, we have been offered some slight relief. This relie...
Review: Camden Fringe, Super Hamlet 64, The Cockpit
“All the world’s a game. And all the men and women merely players” says a projection of Mario, of Super Mario fame, to the audience. Why is Mario branching out ...
Review: Ron Arad’s Curtain Call, Roundhouse
Virtual Reality is in vogue: we are presented with numerous opportunities to be surrounded by artificial atmospheres. But if wearing goggles isn't your thing, R...