Review: Macbeth, New Wimbledon Studio
Arrows and Traps's Macbeth is a work of effortless energy and unending style. It is accessible, revitalised and thought-provoking. It is the story of Macbeth an...
Sara Malik
Review: Gertrude – The Cry, Theatre N16
Gertrude – The Cry by Howard Barker is a radical reimagining of Shakespeare’s Hamlet – and radical is an understatement. Barker’s text focuses on Hamlet’s mothe...
Review: Phaedra(s), Barbican
Phaedra(s), presented with Odéon–Théâtre de l’Europe, shocks, confuses, and invigorates. The production is based on the Classical tale of Phaedra, who marries T...
Review: Minefield, Royal Court
"I promised the 323 people who died that every time I told their story, I would do it to honour their deaths" – Ruben Otero, cast member and survivor of the Ge...
Sara Malik
Sara is a third year English Language and Literature student at King's College London. She can be found shamefacedly avoiding required reading, and instead enjoying that delicious chocolate cake at the National Theatre. And perhaps going to a play or two.