2.0
Review: Zoo Motel, Theatre Nation
At the end of The Wizard of Oz, a breathless Dorothy lies in bed back in Kansas, trying to decode her fantastical experience. “It wasn’t a dream; it was a place...
Samuel Nicholls
2.0
4.0
Review: Flight, The Bridge Theatre
Flight is playing at the Bridge Theatre until the 16th January, for more information visit the Bridge Theatre’s website. All photography in this article is cre...
80%
Review: Noise, NUA Dance and Ugly Duck
Here’s an interesting question: how would you describe the
concept of ‘noise’ to a d/Deaf person? How do you think a d/Deaf person would
describe the same conc...
4.0
Review: GHBoy, Charing Cross Theatre
Pounding music and moody purples flood the stage, drowning out any and all inhibitions. The half-naked young men cut up lines and rip poppers, seeking highs fr...
4.0
Review: Crime of the Century, Chickenshed Theatre
As the audience saunters in (or, in this case, logs in to the livestream), a claxon lists a litany of demanding questions: “What were you thinking at the time?...
Tobias Cornwell: “You can still put on theatre — you just need to think outside the box”
Back in February, Samuel Nicholls spoke to Tobias Cornwell, artistic director of GOOMS, about standing out in an already oversaturated fringe theatre scene. No...
Samuel Nicholls
Sam is a 20-something currently based in London. By day, he's an Editorial Assistant and helps publish plays; by night, he's a reviewer that helps critique them. You can find him everywhere @samniccy