Review: Pleasure, Lyric Hammersmith
Mark Simpson’s new opera Pleasure is as a co-commission and co-production between Aldeburgh Music, Opera North and The Royal Opera House (and presented in Londo...
Roxana Haines
Review: Kite, Soho Theatre
The Wrong Crowd beautifully choreograph one little girl's journey of grief, narrated with an excellent score by Isobel Waller-Bridge and some really heart-felt ...
Review: ANECKXANDER, Jacksons Lane
Celebrating its fourtieth year of breaking boundaries, the London International Mime Festival 2016 offers us a host of contemporary visual theatre in some of th...
Review: Real Life, Camden People’s Theatre
Whatever has attracted you to this show, whether you're in Edinburgh, London or elsewhere, it doesn't really matter what answers you have come looking for becau...
Review: Life Stories: Rest in Peace and Silent Jack, The Place
As part of Tete a Tete's Opera Festival this double bill entitled Life Stories: Rest in Peace and Silent Jack complimented each other very well, with through-li...
Review: Partita 2, Sadler’s Wells
On the empty stage at Sadler's Wells, Anne Teresa De Keersmaeker, Boris Charmatz and Amandine Beyer present Partita 2, a feat of choreography and the act of lay...
