Review: Rabbit Hole, Hampstead Theatre
David Lindsay-Abaire’s Rabbit Hole is delicate. It portrays the delicacy of one family’s new normality in grief and the delicacy of our own normality. Rabbit Ho...
Rebecca Jones
Review: Red Velvet, Garrick Theatre
The day before I saw Red Velvet at The Garrick the audience evacuated the auditorium. The various authors of social media reported loud cracking sounds halfway ...
Review: Kim Noble: You’re Not Alone, Soho Theatre
It is nigh on impossible to take Kim Noble: You’re Not Alone as a singular piece of theatre, a song and dance about the inevitability of loneliness. It delicate...
Review: A Table Set For Two, Etcetera Theatre
A Table Set For Two is The Underground Clown Club’s fourth, penultimate show for their ‘Five Years, Five Shows, Five Months’ season. A pretty ambitious undertak...
Review: The Homecoming, Trafalgar Studios
Jamie Lloyd brings us the fiftieth anniversary of (the god that is) Harold Pinter’s The Homecoming – a play that in 1965 was slap bang in the middle of people’s...
Review: Sparks, Old Red Lion Theatre
Simon Longman’s Sparks is a play of two halves. Ish. Kind of. One half, the first, is marginally longer than the second, though seems even longer than that, as ...
Rebecca Jones
Rebecca studied Acting and English. She is intrigued by theatre and comedy, learning and taking in as much of it as humanly possible: performing, writing for and about it. Rebecca is dedicated to carving out the future of and way into theatre for the younger generations.