4.0
Review: Shoes to Fill, Fair Play and Iris Theatre
Listen to an audio version of the review here. Shoes to Fill is an
hour-long tour de force, written and performed by Tanya Bridgeman and directed
by Alex Mi...
Órla Quilligan
4.0
3.0
Review: Bad Nights and Odd Days, Greenwich Theatre
Listen to an audio version of the review here. As a big fan of Caryl Churchill’s work it is a joy to
see a thoughtfully curated selection of her short plays...
4.0
Review: Under Milk Wood, The National Theatre
Listen to an audio version of the review here. Michael Sheen stars in Under Milk Wood, a heavily adapted production of the play by Dylan Thomas. Now on the ...
3.0
Review: Look Who’s All Grown Up, The Space
Listen to an audio version of the review here. Look Who’s All Grown Up is an
impressive piece of new writing by Abigail Chandler, performed at The Space in ...
3.0
Review: No Strings Attached, King’s Head Theatre
No Strings Attached is a new
play, written by Charles Entsie and performed at the King’s Head’s Ignition
room, which is transformed into an underground carpark...
Clean Break’s Roísín McBrinn: “We can actively change the narrative”
This is the full audio of the article The groundbreaking theatre company, Clean Break haven't stopped this past year and they have no intention of doing so ...
Órla Quilligan
Órla graduated in English Literature from the University of Manchester in 2019, where she was also head of new writing for the university’s drama society. She has extensive experience in directing and acting, having performed at venues such as the Underbelly at the Edinburgh Fringe and the Arcola Tent. She currently works as a Junior Agent at a voiceover agency.