Review: Marnie, London Coliseum
Nico Muhly is back at the Coliseum with the world premiere of a new opera, following 2011’s Two Boys. Based on Winston Graham’s novel – and dramatised by Hitchc...
Manuel Muñoz
Review: Witness for the Prosecution, London County Hall
Agatha Christie’s presence in London’s theatrical scene is, even today, taken for granted. With The Mousetrap still being played after 65 years, whodunits are s...
Review: Jewels, Royal Opera House
Now celebrating its 50th anniversary, George Balanchine’s Jewels comes back to the stage giving plenty of opportunities for the whole company to show their skil...
Review: Ballistic, Mirth Marvel and Maud
In May 2014, Elliot Rodger killed several people at a university campus before shooting himself. In what were subsequently known as the Isla Vista killings, six...
Review: Madama Butterfly, Royal Opera House
Madama Butterfly is one of the most performed operas ever, as it has en enduring appeal due of its themes of love, loss, dignity and deceit. Reaching new height...
Review: An American in Paris, Dominion Theatre
After his successes as a choreographer for The Royal Ballet – Alice’s Adventures in Wonderland, The Winter’s Tale – Christopher Wheeldon is now bringing his fir...
Manuel Muñoz
Manuel is a London-based PhD researcher in Medieval History who loves the arts and is particularly drawn to theatre, musical theatre and opera. With a special interest in all technical aspects of stage productions, he reviews shows for his colleagues at work and posts them on his own blog, which is sad. Or maybe not.