Review: H.M.S. Pinafore, Hackney Empire
Gilbert and Sullivan’s light operas have such an enduring appeal that they have been produced in many different ways throughout the years. From modern day adapt...
Manuel Muñoz
Review: Sket, Park Theatre
There was an exciting vibe yesterday at the Park Theatre before the first performance of this world premiere, and it is safe to say it was enthusiastically rece...
Review: Hand to God, Vaudeville Theatre
This is not your typical comedy. Not only because a puppet is the main character – which is hardly a new thing after Avenue Q or even War Horse – but because of...
Review: Motown the Musical, Shaftesbury Theatre
Saying that Motown Records is a cultural icon that shaped music and changed it forever is something of an obvious statement. It is probably the label with more ...
Review: Akhnaten, London Coliseum
It has been 29 years since Akhnaten was revived at the Coliseum after its UK premiere in 1985. Widely considered one of Philip Glass’s finest works, and also th...
Review: Madama Butterfly, Lost Theatre
Secret Opera presents this production of G. Puccini’s Madama Butterfly as part of The Gender Project, which intends to approach opera from a LGBT point of view ...
Manuel Muñoz
Manuel is a London-based PhD researcher in Medieval History who loves the arts and is particularly drawn to theatre, musical theatre and opera. With a special interest in all technical aspects of stage productions, he reviews shows for his colleagues at work and posts them on his own blog, which is sad. Or maybe not.