Review: It Is So Ordered, Pleasance Theatre
‘Freedom, courage, and persistence’: central to the American Civil Rights Movement of the ‘60s, these currents also coursed strongly through the new arrival of ...
Lucy Streeten
Review: Jess and Joe Forever, Orange Tree Theatre
The success of Zoe Cooper’s Jess and Joe Forever is emblematic of why fostering new writing is so important. Originally commissioned by Old Vic New Voices and a...
Review: Heartbeats and Algorithms, Soho Theatre Upstairs
Heartbeats and Algorithms is a chilling tale for the tech-savvy millennial: you are what you click; your search history defines you. Think you’re spontaneous? T...
Review: Horniman’s Choice, Finborough Theatre
The Finborough’s recent commission of four one-act plays from the Manchester School of Playwrights is a prime example of less is more. Director Anna Marsland br...
Review: The Adding, The Cockpit
'If I have seen further, it is by standing on the shoulders of giants’ springs to mind when thinking about Ciaran Myers new play The Adding. The ‘giant’ in ques...
Review: Nadya, Park Theatre
On 14 September, an intimate audience were witness to the baby steps of Chris Jury’s Nadya at the Park Theatre. The Production Exchange was presenting a Rehears...
Lucy Streeten
Lucy is a second year history student at the University of Oxford. As well as reviewing, she is also a Young Ambassador for the Young Vic which involves promotion of the theatre to fellow young people. During her first year Lucy has tried her hand at directing and hopes to explore more aspects of the theatre over the next two years.