Interview: Black Watch on the march
The new cast of the National Theatre of Scotland's Black Watch have a tremendous weight of responsibility to bear on their, predominantly young, shoulders.
N...
Lois Jeary
Taking Notes: Exit, pursued by your conscience
I have a confession to make - I’ve developed a habit of walking out of shows before they finish. Am I a bad person?
For many years I was far too English to e...
Taking Notes: The End of Theatres
Who needs theatres? Not me. And neither do a whole host of theatre companies in Edinburgh this year who are changing the nature and setting of the the...
Review: En Route, Traverse Theatre
Few theatrical experiences start hours before you even arrive, with a vaguely cryptic text message welcoming you to the show and giving you a set of i...
Taking Notes: Failing to flirt myself freebies on the Fringe.
Today, just in case you have been in a coma and have thus far failed to realise, is the first official day of the 2010 Edinburgh Fringe Festival. Of course it h...
Taking Notes: Theatre on the Fringe
The Edinburgh Fringe programme is an intimidating document. At 347 packed pages long it defies anyone to read it front to back and still be conscious by the end...
