4.0
Review: Inscribed, New Vic Theatre and Hoard: Rediscovered
Of the Hoard: Rediscovered
plays that I’ve seen, Inscribed may be the boldest, and most contrarian. The monologue from the wonderful
Lemn Sissay MBE follow...
Liam Offord
4.0
3.0
Review: Here We Are Again, Pitlochry Festival Theatre
Here We Are Again feels like a slight tease due to the timing of its release. The short, from writer Dan Rebellato, follows a character (read by Jesse...
4.0
Review: Crave, Chichester Festival Theatre
Content warning: This review mentions suicide Crave
is a wonderful return to live
production for Chichester
Festival Theatre. The 1998 play by playwrigh...
4.0
Review: The Message, Pitlochry Festival Theatre
The Message is a breath of fresh air for both its subject and its audience. This piece from writer Hannah Khalil follows the perspective of something ...
3.0
Review: Blood, Glorious Blood!, Brighton Fringe
Blood, Glorious Blood! wastes no time being shy about its subject. This is a ‘Period drama’ in the most literal sense - It’s an hour dedicat...
3.0
Review: Pareidolia, Phone Box Theatre Company
The story of Pareidolia follows three characters – Mrs. Z (Helen Brown), Mx.
Y (Jayran Lear), and Mr. X (Caetano Capurro) – each with a tale to share. But Pare...
Liam Offord
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Liam is a playwright who studied Creative Scriptwriting (MA) at the University of East Anglia, graduating in 2017. He has worked in Norwich and on the South Coast, and if he’s not at the theatre then he’s invariably at a gig somewhere.