3.0
Review: Amai Vangu – My Mother, Live Theatre
Amai Vangu – My Mother is a challenging watch for multiple reasons First of all, there’s a cruelty that pervades throughout the entire piece in the form of ...
Liam Offord
3.0
5.0
Review: Scenes For Survival – Danni The Champion, National Theatre of Scotland
Most of the theatre I’ve encountered during lockdown has been claustrophobic to some extent, with filming often taking place within creatives’ homes. Dann...
4.0
Review: Scenes for Survival – Listen To Me, National Theatre of Scotland
Despite only featuring one character, Listen to Me offers us a kaleidoscopic view of the ways people have reacted to lockdown. The piece follows F...
3.0
Review: Scenes for Survival – Three Billion Swipes, National Theatre of Scotland
The transient nature of Three Billion Swipes really helps to it reflect some of its key themes. Coming in at only eight minutes, we barely have the time to ...
4.0
Review: Scenes for Survival, Future Perfect (Tense), National Theatre of Scotland
Future Perfect (Tense) feels like a natural theatrical result of the pandemic. Director Eve Nicol highlights this timeliness, saying "What I...
2.0
Review: Punkt Presents Penelope, Lion & Unicorn Theatre
The concept behind Punkt Presents Penelope is a great one. For anyone unfamiliar with Greek classics, Odysseus fights in the Trojan War for ten years, then tak...
Liam Offord
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Liam is a playwright who studied Creative Scriptwriting (MA) at the University of East Anglia, graduating in 2017. He has worked in Norwich and on the South Coast, and if he’s not at the theatre then he’s invariably at a gig somewhere.