Review: Exit the King, National Theatre
“An attempt at an apprenticeship in dying” That is Eugène Ionesco’s ambition when he writes his most classical play Exit The King in 1962. Being part of the ...
Lara Domke
Review: Judgement, The Bread & Roses Theatre
Abyss or absence of humanity? How far are we willing to go for survival? And if we survive, who do we become? Judgement, Stephen Bradley’s one-man show, tell...
Review: The One, Soho Theatre
The dramatically romantic soundtrack of The Phantom of the Opera introduces the sense of an electrical love story and a dark desire for power and powerlessness,...
Review: Ouroboros, King’s Head Theatre
Ouroboros is a symbol of a snake biting its own tail in order to create a circle with its own body, signifying infinity or wholeness. Charlotte Fox’s witty and ...
Review: Boxman, Blue Elephant Theatre
A storyteller and several listeners come together in an intimate place to share and listen to a story. This connection is the essence of Boxman at the Blue Elep...
Review: A Midsummer Night’s Dream, Wilton’s Music Hall
A midsummer night in Athens: love’s dreams and disputes, a magic portion and a royal wedding. In a single night in the fairies’ wood, reality and fantasies merg...
Lara Domke
Lara is an emerging theatre-maker especially interested in the mind and the gap between the body. Therefore, she writes and performs (self-)consciously. She is about to finish her BA Performance studies at the Royal Central School of Speech and Drama in 2018. Crossing the borders to go home to Germany and on holiday, she also loves travelling from the real world.