Review: LIES, The London Theatre
A performance about the performance of a performance. In LIES a murder case is interwoven in a theatrical event: a merge of a staged story and a real event. ...
Lara Domke
Review: Libby’s Eyes, The Bunker Theatre
Black out. Lights on. Description and participation merge. Observing becomes an active choice in Libby’s Eyes. The action on stage is audio described by a na...
Review: Fatherland, Lyric Hammersmith
A mind-reading machine. “Bridging the communication gap” between fathers and sons, as Scott Graham (Declan Bennett) explains, is the starting point and the d...
Review: Peter Pan, Regent’s Park Open Air Theatre
‘To live is an awfully big adventure’ Peter Pan’s unbeatable optimism and thirst for adventure is lifting him up into the air. J.M. Barrie’s boy who never gr...
Review: Life Is A Dream, Sadler’s Wells Theatre
Life is a Dream. Dreams are reality. We exist between waking and sleeping. Our perception creates our inner world of merging illusions and dreams, and our exper...
Review: Suicide Notes… The Spoken Word of Christopher Brett Bailey, Shoreditch Town Hall
A table with neatly lined-up paper awaits Christopher Brett Bailey at the Large Committee Room at the Shoreditch Town Hall. The microphone amplifies his welcomi...
Lara Domke
Lara is an emerging theatre-maker especially interested in the mind and the gap between the body. Therefore, she writes and performs (self-)consciously. She is about to finish her BA Performance studies at the Royal Central School of Speech and Drama in 2018. Crossing the borders to go home to Germany and on holiday, she also loves travelling from the real world.